Whose psalmody?

Identifieur interne : 000077 ( Main/Exploration ); précédent : 000076; suivant : 000078

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Whose psalmody?

Auteurs : Vic Gammon

Source :

• Early Music [ 0306-1078 ] ; 2008.

RBID : ISTEX:50F6F61358B9FD82DF08CBC68673F7D36E42D389

English descriptors

• Entity :
  • pers : Hubert Parry, Isaac Smith, Nicholas Temperley, Sally Drage, Thomas Clark, William Byrd.
  • place : United States.
• Teeft :
  • Aesthetic assumption, Aural style, Authoritative collection, Better indicator, British music, Calvinistic methodist, Cathedral composer, Cathedral dignitary, Characteristic adaptation, Choir band, Church music, Compositional convention, Compositional style, Country church, Critical commentary, Different musical convention, Different musical tradition, Different performance tradition, Distinct goal, Doleful sound, Early music, Early music november, Early musichall song, Economic power, Editor attempt, Editorial note, Effective bibliographical control, English composer, English parish church, English parish church music, English parochial church music, Everyday music, Famous composer, First encounter, Full historical representation, Funeral piece, Good account, Good example, Good friend, Great deal, Heavenly flame, Heterophonic tradition, Historical context, Historical description, Humble manuscript form, Immediate reaction, Important figure such, Important implication, Imprecise stylistic criterion, Independent survival, Indirect way, Intellectual approach, Isaac smith, Large question mark, Manuscript material, Manuscript source, Many manuscript, Metrical psalm, Modern survival, Modern term, More accurate, More important, More stylistic coherence, Much more, Much psalmody, Musica britannica, Musical practice, National circulation, National collection, Nicholas temperley, Original form, Other musica britannica volume, Parish church, Parish church music, Performance practice, Pluralist view, Popular church music, Popular composer thomas clark, Popular piece, Psalmody, Publication place, Recent historical, Reformation plain tune, Religious denomination, Representative quality, Rigorous critical term, Rural anglican, Sacred music, Same piece, Scholarly attention, Scholarly tradition, Second quarter, Serious reservation, Shift context, Significant question, Similar sound world, Social influence, Society many cultural norm, Sound editorial practice, Stainer bell, Strong relation, Such heterophonic, Such omission limit, Surprising statement, Temperley, Total silence, Trivial matter, Unpick notion, Urban anglican, Volume title, West gallery, West gallery music, Wide range, Wider purpose, William byrd, Worthwhile anthology.

Url:

• https://api.istex.fr/ark:/67375/HXZ-6BSC7BHB-V/fulltext.pdf

DOI: 10.1093/em/can110

Affiliations:

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Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000241
• to stream Main, to step Curation: 000239

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